Sunday, 26 March 2017

Bergger Pancro 400 development test.

Pancro 400 Developed in Rodinal & Caffenol C-L

Loading up my latest acquisition of a superb Nikon FA, with this new film Pancro 400, I headed off to the Melbourne F1 Grand Prix. It was a fairly sunny day so ideal for some photography. I used my 50mm Nikkor prime lens and a Nikkor 35-135 plus a T200 x2 extender for the long shots.

It has taken me a good 12 months to get my Caffenol developments working well. Whenever I have tried Rodinal I have always stuffed it up and have actually destroyed some rolls with it. So I have tended to stick with Caffenol to ensure a reasonable result. However I was concerned about using Caffenol with Pancro 400 as I could not find anything on the Net about this. Hence this experiment.

 In the black bag I loaded half the Pancro 400 onto 1 Patterson spool and the other half was left in the canister in the dark and later loaded onto another spool. The first spool I developed in Rodinal at the recommended mix of 1+25 timed for 8 minutes at 20c with agitation for the first minute and inversions at the top of each minute thereafter. Stopped in filtered water and fixed in Ilford Rapid Fix for the long 6 minutes as per the recommendation from Bergger inside the film packaging.

The second half roll was developed in my regular Caffenol C-L for 48 minutes at 22c (see previous post for recipe) and fixed in Rapid Fix for the recommended 6 minutes.

Here is a very interesting comparison where the film was cut in half. It was scanned as one so the scanner software may have favoured the Caffenol side more when it does it's auto adjustment to the film type. (there is no setting for Pancro 400 so I was using Kodak T400 mostly) Click to enlarge.

The Caffenol stand development has clearly brought out all the shadow detail in the clouds giving more depth to the image. I was impressed that my same recipe worked so well with the Pancro 400ASA film as I was expecting to have to modify it. Below are a mixture of shots from the roll in the two developers.


Caffenol C-L


Caffenol C-L

Caffenol C-L

I am actually really pleased that I have managed to not stuff up developing in Rodinal and the results are very pleasing. It was also a quicker workflow. However I like how the Caffenol brings out all the shadow areas. Both processes seem to have worked very well with the Pancro 400 but looking over all the photos on my large iMac screen I tend to lean towards the Caffenol C-L for the best results. I might start using a paper filter when pouring the mixture into the tank. There are no white spots with the Rodinal but I can see a few with the Caffenol and the filter might stop this.

The Bergger Pancro 400 seems to be a nice 400 ASA film and the results are an improvement on my Ilford HP5 photos. But it is hard to go past the Agfa APX 100 or the Neopan 100 for the least amount of grain. At least now I am comfortable that I can safely develop the Pancro 400 in either method without a disaster as the film is too expensive to risk any failures.

Saturday, 25 March 2017

My Best Caffenol C-L Recipe - so far!

Switch to Potassium Bromide

The iodised salt was worrying me when I read that the iodine is not so good for film development. So I went hunting for Potassium Bromide and finally located it from a Compounding Chemist. Unfortunately it is only in bulk amounts of 500 gram and as I only use 0.35 gram to my 350ml mixture, it should last me close on 150 years.

This is now my go to Caffenol recipe that is proving consistent on most types of B&W film.

Soak in 400ml of water for 5 minutes.

Per 350 ml of filtered water which covers 1 spool in a 2 spool Paterson Tank.

  • 5.6 grams of Washing Soda.
  • 3.5 grams of Vitamin C.
  • 0.35 gram of Potassium Bromide
  • 14.0 grams of Aldi Instant Coffee.
  • Thoroughly mix and let stand for about 10 minutes
Times - 60 min @20c, 54 min @21c, 48 min @22c, 42 min @23c, 36 min @ 24c, 30 min @25c.

Agitation - First minute gentle swirls and 4 inversions then gentle inversion at 2, 4 & 8 minutes then let stand to finished.

Rinse Stop - Tip out developer, fill with water, tip out again, refill and gentle swirls for 1 minute. Tip out and repeat for another minute.

Ilford Rapid Fix - 70ml + 280ml water = 350ml mix. Fresh mix allow 2 minutes with most B&W film with one inversion at 1 minute. If doing multiple films over the 7 day mixture life I add 15 seconds for each film. But check the instructions for testing fixer. Using Bergger Pancro 400 I follow their instructions of 6 minutes fixing time (and I invert at 2 minute intervals).

Rinse Stop - Tip Fixer back into storage container and fill with water and tip out. Refill and start standard Ilford wash instructions. Swirl 5 times tip and refill, swirl 10 times tip and refill, swirl 20 times and done.

Final Rinse - I use a few drops of Adaflo to 400ml of water and swirl it for a few minutes.

Drying - I shake off as much water as I can feel coming off the reel whilst the film is still on it Then I hang the film horizontally on my push bike rim that has multiple hooks and is hanging from the ceiling through the centre. This has proved the best drying method for me and it stops those long water runs down the middle of the film that you get with vertical hanging.

Film Types

I have had great success with this recipe so far on the following films shot at box speed.
  • Agfa APX 100 ASA - Nice results.
  • Rollie RPX 100 ASA - Seems exactly the same as the Agfa negs.
  • Fuji Neopan 100 ASA - Really beautiful clear negatives that scanned a treat.
  • Ilford HP5 400 ASA - Best results with this film so far.
Bergger Pancro 400
Today I am conducting a trial with this new film and have just finished developing half the roll in Rodinal 1 + 25 @ 8 min as recommended. The other half in Caffenol C-L as per above 48 min @ 22c. The negs look awesome and as they are drying on my bike wheel I cannot tell them apart. Should be really interesting to scan them side by side. Check my next post for the results.

Example Results - click to enlarge.

Nikon FE - Ilford HP5 400 - Caffenol C-L

Nikon FE2 - Rollie RPX 100 - Caffenol C-L

Nikon FE2 - Agfa APX 100 - Caffenol C-L

Nikon FE2 - Fujifilm Neopan 100 Acros - Caffenol C-L

Sunday, 8 January 2017

Trying Reduced Salt

My film photography has been put on the back burner for a while as I came up with a project to fit a Sony Nex onto a Nikon FE as an "electric film" conversion. This has been very successful and a whole lot of fun adding new dimensions to my photography. See XOverCameras for details.

I returned from a holiday in the Grampians with two rolls of film to develop and decided to increase the iodised salt (bromide equivalent) to see if I could improve on my previous negs. But this really stuffed them up. The iodine content of McKenzies Iodised Salt is quite variable, so it must be stronger than what is recommended as the equivalent to Bromide, which is x10 times. My negs were really dark and over developed.

So I read up on the processing techniques for Agfa APX 100 and found a recipe where the Bromide was reduced and the time was reduced due to the increased temperature. The results were very pleasing and so I repeated the same recipe with the Ilford Pan 100. As the processing time is quicker than my previous 60mins @ 20c I will stick with this new recipe and try a few other rolls of film. Am wondering if it will be okay with the 400ASA films.

Camera :   Nikon FE2
Film:   Ilford Pan 100 and Agfa APX 100
ASA EI: 100
Developer: Caffenol C-L 20min @ 25c (reduced salt to 1.8g/350ml)
Agitation: Constant inversion for 1st minute then 1 inversion at 2, 4 and 8 minutes.
Scanner: Plustek 7400

Here are some of the resulting photos. Click to enlarge.

Sunday, 26 June 2016

Caffenol C-H success

After some rather grainy results with Caffenol C-L stand, Rodinal 1:100 and Rodinal 1:50 I thought I would try the Caffenol C-H recipe on a roll of film that I thought I had stuffed up. To my surprise this is my best result so far. Some of the shots actually have contrast and noticeably there is a lot less grain.

I am substituting the potassium bromide with Iodised Sea Salt at 10 x the amount so this would be 10 g/l. I also used the waterfree Washing Soda rather than the sodium carbonate which probably just gives the same result.

My next roll of film will be some 125 ASA to see if the grain is even tighter and I will use the same process or try the recommended Rodinal at 1:25.

Camera :   Canon A1
Film:   Ilford Pan 400
ASA EI: 400
Developer: Caffenol C-H 15min @ 20c
Agitation: Constant inversion for 1st minute then 1 inversion every 20 seconds.
Scanner:   Plustek 7400

Wednesday, 8 June 2016

Upgrade to Film

"You've definitely lost the plot"

We have a perfectly good Canon DSLR with pro lenses that has provided us with some great shots on our travels. So when I announced my intention to purchase film cameras and developing in coffee, the above encouraging words were spoken. So I will try to explain my Upgrade to Film, or is it just a regression with old age like going back to Beatles music on vinyl?

Looking over many digital photos in Flickr and 500px they just seem a bit unreal. There appears to be more kudos in direct proportion to the time spent in Photoshop ramping up the contrast to levels where landscape shots look like a different planet to the one we live on at present. The Film galleries just seem to provide more warmth and natural realism. I'm not a fan of photo editing software programs as I am told I have a colour perception deficiency. For me it's just run the scanning program, click auto adjust and accept the inevitable outcome in good faith - job done and await the critics.

I see Film Photography as an art form.

  • The art starts with the thrill of securing the right camera at a bargain price, then buying all the bits and pieces for a few $'s from Hong Kong ebay traders. Little parcels arriving weekly in the post and half the time I am perplexed as to what I ordered until I feel the package and go oh yer - a lens cap.
  • Once I've got the camera it usually needs some cleaning and basic servicing. They have sat on a shelf for 20+ years and just need a new battery and fire off 100 shots or so. Light seals are easy to replace and often it is the camera that looks a bit rough that comes up a diamond mechanically. Nearly every camera I purchased has immaculate lenses which is a good sign the camera had very little use. I prefer camera sets that are one owner and have lenses.
  • Sourcing 35mm film at a reasonable price locally is impossible. The ebay trader 'Film Festival' has good stocks at the right price but there is a shipping delay that is worth the wait.
  • Taking the camera out for a photo shoot is just awesome. Each shot has to be thought out, planned and executed as film is too expensive to waste. The feel of the metal body, the simple adjustments using real dials that don't beep, manual focus, frame the subject perfectly and press the shutter release to feel the superb internal mechanical movements as the piece of jewellery in my hand operates a multitude of mechanical and electrical functions to allow just the right amount of photons to enter and embed into the film coating. Did I just capture light!
  • Finding a good colour processing lab can be the next challenge in this art form. Not much help there but for a whole lot of fun is self developing black and white film in various emulsions. The best challenge is Caffenol where all the ingredients can be sourced at the supermarket.
  • If I've had success with all this and by some miracle have exposed negatives, then it's time for the 'coup de grace' when the negs are put in the scanner and the preview scan comes up on the screen. Be prepared for many disasters, but then there are the surprise rewards with great shots that I've forgotten I took.
Thats the art form for me. It's the whole process and the challenge with what can occasionally be an outstanding result as good as anything an expensive digital camera could do without a big dose of photoshop.

Tuesday, 7 June 2016

Why Shaky?

Having an "essential tremor" in the right arm does not bode well for a hobby in photography. But as I've got the bug I might as well admit that I am the Shaky Photographer. High speed film is definitely my friend.

As part of my arsenal of gear I have a monopod and a few tripods of various sizes. Even a hiking pole with a bolt on top for a quick camera connection. Any solid object nearby is a handy spot to steady the camera with. When I am out night shooting wildlife I have the monopod extended from the Metz flash ready to plant on the ground. It helps but looking through my 300mm lens would give a pro photographer kittens. For me it's take a shot and pot luck. Looking forward to setting up the Nikon FE with the 125 flash sync. The timers get a work out too. On longer times I still don't trust my shakes so I often set the timer and steady the camera till it fires. The Nikon is awesome for this as when the timer is triggered it flips up the mirror immediately and holds it till the shot is fired.

The Camera Bug

GAS - Just found out that photographers can get this and not from eating the wrong food. GAS stands for Gear Acquisition Syndrome and apparently just like fishing, one can never have enough gear for this hobby. Now if I was into digital this would be very expensive and I would be on a very short lead. But I have become smitten with film photography and cameras of the 70's & 80's. Now the best part about that is a lot of this older gear is just awesome and it's inexpensive (except Leica's). Cameras that were over $1,000 in 1980 can be purchased for $100 or so, complete kits with multiple lenses and other necessities for under $200. Trouble is not just one or two cameras is enough. Soon there is not enough room in the camera cupboard as they have bred like rabbits in spring.

My GAS problem started when I decided to see if I could repair the broken battery connection in my wife's old Leicaflex SL2. It hadn't worked for over 20 years. With some research I found a hearing aid battery the correct voltage. Used liquid solder to rebuild the terminal. Aluminium to pack out the battery area and voila the light meter works again. Poking around the cupboard we found the old camera bag owned by an old relative. Inside was quite a find being a M3 Leica in near perfect condition. Now I was really hooked but this old timer needs a service as the shutters are not working at over 250. Shall save up for a service at $300+ ouch!.

Leica M3 - 90mm Summicron

Scanning ebay and gumtree I noticed the Canon AE1's were well priced. But then I saw this great kit of a Canon A1, multiple canon lenses, Metz flash and bag for $150. Bargain and what a great revolutionary camera with AE & TV. I liked it so much I bought a second one with the mythical 50mm 1:1.4 lens. Shown here the Canon A1 is set up for spotlighting wildlife at night in the national park behind our house.

Canon A1 - 100-300 Zoom lens - Metz C45-5 Flash - LED Lenser spotlight

Now don't start reading the Ken Rockwell web site as he will talk you into more gear and your GAS problem will become obsessive. Ken recommended the Nikon FE which are an awesome camera and can be purchased dirt cheap if your prepared to do a bit of maintenance like light seals and cleaning. I really need the 125 flash sync and will be using this for my night shoots instead of the Canon once I buy a good Nikon zoom lens.

Nikon FE - 50mm 1:1.4 - MD11 motordrive

Time to stop buying gear and start taking more photos. But which camera to use?